The Goldmine grades, top to bottom
The full scale, from best to worst:
- Mint (M) — perfect in every way, effectively unplayed. Many serious graders reserve M for sealed records only and rarely use it, because a played record can almost never be truly Mint.
- Near Mint (NM or M-) — looks and plays like new with no obvious flaws; a faint sign of handling at most. NM is the practical ceiling for most used records and the baseline against which value is set.
- Very Good Plus (VG+) — shows light signs of use: minor surface marks that do not affect play, light ring wear or a small sleeve defect. Plays very well. This is where a lot of "clean" used records actually land.
- Very Good (VG) — clearly used: visible scuffs and light scratches, audible surface noise in quiet passages, more sleeve wear. Still very listenable.
- Good (G+ / G) — heavily worn, plays through but with significant surface noise and possibly skips; sleeve well-worn. A "filler" copy.
- Poor / Fair (P / F) — badly damaged, may not play through. Value only for the rarest titles.
Each step down is a meaningful drop, and the gap between NM and VG+ alone can halve a record's value.
Key points
- Scale: M, NM (M-), VG+, VG, G+/G, P/F from best to worst
- Mint is often reserved for sealed records; NM is the practical used ceiling
- Most genuinely clean used records grade VG+, not NM
Grade media and sleeve separately
A core Goldmine rule that beginners miss: the RECORD and the SLEEVE (jacket) get separate grades. A listing is written as media/sleeve — for example, "VG+/VG" means the vinyl is VG+ and the jacket is VG. The two often differ: a record can play beautifully (NM media) in a jacket with heavy ring wear and a split seam (VG or G sleeve), or vice versa.
This matters for value because, depending on the title, the jacket can carry a large share of the worth — original jackets with intact seams, hype stickers, inserts, or gatefolds are part of what collectors pay for. Always inspect and grade both:
- Media defects: scratches (feel with a fingernail — if it catches, it likely affects play), scuffs, warps, groove wear, spindle marks, and any pressing flaws.
- Sleeve defects: ring wear, seam splits, corner wear, writing, stickers, water damage, and whether inner sleeves and inserts are present.
Stating both grades honestly is the standard, and omitting the sleeve grade is a red flag to experienced buyers.
Key points
- Media and sleeve are graded separately, written as media/sleeve (e.g., VG+/VG)
- Run a fingernail across a mark — if it catches, it likely affects play
- Original jackets, inserts, and hype stickers can carry significant value
Visual vs play grading — and why conservative wins
Most records are VISUALLY graded — assessed by careful inspection under good light — because few sellers play-test every record. The Goldmine approach is to grade visually but conservatively, assuming that visible marks may produce audible noise. When a record has been PLAY-GRADED (actually listened to), that is more reliable and worth noting, especially for higher-value records.
The golden rule: when in doubt, grade DOWN. Over-grading is the cardinal sin of selling records. A buyer who receives a record graded NM that is obviously VG+ will distrust everything you list, leave negative feedback, and request a return. A record graded honestly — or even slightly conservatively — builds the reputation that lets you sell at full value. Light is your friend: inspect under a bright, raking light that reveals scuffs and hairlines a dim room hides. Describe specific defects rather than relying on the grade letter alone, because two sellers can interpret "VG+" differently and specifics build trust.
Key points
- Grade visually but conservatively — assume visible marks may be audible
- Play-graded records are more reliable; note when you have play-tested
- When in doubt, grade down — over-grading destroys buyer trust
How grade maps to value
Value scales steeply with grade, and the scaling is not linear. Collectors generally price relative to a Near Mint baseline, with each grade below representing a large percentage drop. As a rough rule of thumb often cited from the Goldmine guide: VG+ is worth roughly half of NM, VG roughly a quarter, and G/G+ a small fraction — though the exact ratios vary by title and demand.
This is why the same album can show wildly different Discogs prices: a NM original might list at $200 while a VG copy of the identical pressing sits at $50. For very rare records, condition matters less in percentage terms (collectors accept a lower grade because no clean copy exists), while for common records condition is almost everything (a beat-up copy of a common title is nearly worthless because clean ones are easy to find).
Remember the pressing-first principle: grade only compares copies of the SAME pressing. A NM reissue is still worth less than a VG original of a desirable title — identify the pressing first, then let grade set the price within that pressing.
Key points
- Value is priced relative to a NM baseline; each grade down is a large drop
- Rough guide: VG+ ~half of NM, VG ~quarter, G a small fraction (varies by title)
- Grade compares copies of the same pressing — pressing identity comes first
Grading consistently with VinylIQ
Consistent grading is a skill that takes seeing many records, and even experienced collectors disagree at the margins. Snap a photo of the record surface and jacket with the VinylIQ iOS app and it assesses visible condition against the Goldmine scale, flags the defects it detects, and suggests a media and sleeve grade — giving you a consistent second opinion before you buy or list. Paired with the app's pressing identification, it lets you nail both halves of a valuation: which pressing you have, and what grade it deserves. For selling, that consistency is what protects your reputation; for buying, it is what keeps you from overpaying for an over-graded copy.
Key points
- Photograph surface and jacket for a consistent Goldmine-scale assessment
- The app flags detected defects and suggests media and sleeve grades
- Combine with pressing ID to value both the pressing and its condition